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Bollywood multi-faceted actor Late Dilip Kumar's 100th birth anniversary: A career spanning 55 years, 57 movies, 65 per cent success rate

In his acting career spanning 55 years, Dilip Kumar performed in an estimated 57 films with an awesome success rate of around 65 per cent.

Bollywood multi-faceted actor Late Dilip Kumars 100th birth anniversary: A career spanning 55 years, 57 movies, 65 per cent success rate

Sentinel Digital DeskBy : Sentinel Digital Desk

  |  12 Dec 2022 1:02 PM GMT

Yusuf Khan, alias Dilip Kumar – the intense, multi-faceted actor who rose to be not just a superstar but a supergiant star –- and inspired generations of future actors and filmmakers with the art and science of his acting talents, remains glowing brightly in the starry film galaxy.

On his 100th birth anniversary on Sunday (he was born on December 11, 1922), here's a quick view of a few of his top, timeless, superhit films which still enthrall movie buffs, now mostly on the small screen.

In his acting career spanning 55 years, Dilip Kumar performed in an estimated 57 films with an awesome success rate of around 65 per cent.

The eternal mega-blockbuster was, of course, 'Mughal-E-Azam' (1960), directed by the legendary Asif Karim (better known as K. Asif), which shattered records and created new ones, many which still stand unbroken today. In the film, Dilip Kumar essayed the role of a bohemian Prince Salim, who later became fourth Mughal Emperor Jahangir, the son of the no-nonsense Emperor Akbar (Prithviraj Kapoor) and the doting mom, but a 'pati-vrata' Queen Jodha (Durga Khote).

'Mughal-E-Azam' became the first Indian film to be digitally coloured and re-released in 2004, and again proved a superhit, something unprecedented in Indian film history.

Then came 'Ganga Jamna' (1961), the story of two brothers, one a dacoit (Dilip Kumar as 'Ganga') and the other a cop ('Jamna', his real-life brother Nasir Khan), along with the Vyjayanthimala, and superhit music by Naushad. The story of the exploits of the dacoit and his conflicts with his policeman brother or his flings with the loyal Dhanno (Vyjayanthimala), the dialogues in rustic Awadhi, the Naushad compositions like "Nain Lad Jaihe To Manva Ma Kasak Hoe Kari" (Mohammed Rafi), and "Do Hanson Ka Joda" (Lata Mangeshkar), found universal takers.

Another Dilip Kumar-starrer in Mehboob Khan's love-triangle, 'Andaz' (1949) with Nargis and the legendary Raj Kapoor, remains fresh in public memory. The engaging story revolved around the ordinary man Dilip Kumar's childhood sweetheart who grows into a wealthy and comely Nargis but due to circumstances he cannot declare his love for her.

Later, she marries elite Raj Kapoor, who wrongly suspects her of having an affair with Dilip Kumar and after a chain of events, Nargis kills Dilip Kumar, goes to jail, leaving her husband repenting after he realizes his monumental blunder.

BR Chopra's 'Naya Daur' (1957) remains etched in public memory for a variety of reasons, the first ever film to speak of conflict between humans and technology, with Dilip Kumar, his buddy Hamid Ali Khan, or Ajit, and their common love-interest Vyjayanthimala.

The story of their deep friendship turning into bitter enmity, leading the embittered Ajit to plot Dilip Kumar's murder as he won over the village beauty, but finally all misunderstandings are cleared and they reunite as old friends.

Mehboob Khan made the first Indian adventure film, 'Aan' (1952) which was also the country's maiden technicolour feature film, starring Dilip Kumar, Nimmi Bano and Nadira, that was to be a trendsetter in many aspects in future. The grand and most expensive film made (Rs.3.50 million budget) at that time clicked and it became one of the all-time highest grossers, and was released in around 28 countries under the name of 'The Savage Princess', earning global accolades.

Other major films of that time featuring Dilip Kumar include: 'Jugnu' (1947), which first drew the world's attention to his acting and personae, with the singer-actress Noorjehan, who remained his lifelong friend; "Mela" (1948) with Nargis and Noorjehan, ending with the tragic love-story ending in the death of both the protagonists, and spurred many similar films later. IANS

Also Read: Economic activity gaining strength, job landscape to improve: Reserve Bank of India

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