Entertainment

China’s ‘worst movie’ turns mockery into millions as viral animated flop storms box office

Chinese animated film ‘Niu Lai’, mocked as one of 2026’s worst films, sees a box-office surge as curious audiences flock to cinemas.

Sentinel Digital Desk

A Chinese animated filmis giving a tough fight to Hollywood blockbusters The Odyssey and Spider-Man: Brand New Day at the Chinese box office. The film has been widely described as terrible, and that's precisely the reason why audiences are rushing to cinemas to watch it. Titled Niu Lai, translated as The Cow is Coming, the film is an 86-minute animation about a newborn calf and a skylark, whose relationship is highlighted through an abstract dream sequence.

Niu Lai was released in China on August 5 and almost disappeared immediately.

10 days after the film's release, it witnessed a spike in ticket sales, all thanks to social media. Clips of the film were widely circulated on various social media sites, with viewers mocking its crude computer graphics, stiff characters, awkward voice acting and confusing story.

There were some who compared the film to a poorly made student project. Others called it "worse than AI" and possibly the "worst movie of 2026".

The ridicule worked in favour of the film and got people curious. Many moviegoers began buying tickets simply to discover whether Niu Lai was really as bad as it was being claimed.

Niu Lai has now collected 14.9 million yuan (22,10,468USD approx.) according to Chinese ticket platform Maoyan. Its sudden rise at the box office has placed it alongside bigger films in China cinema revenue rankings.

The film has been reportedly made by two people. Niu Lai is credited to Xin Yumeng and Sun Lifang, believed to be a mother-and-son team. They are credited as its writers, directors, producers and voice actors.

The only known advertisement of the film has an elegant poster with traditional ink-wash artwork. The beautiful poster bears very little resemblance to the amateur animations that await audiences inside theatres. Even its distributor reportedly admitted that he had been advised against releasing the film because of its quality. He went ahead because he was a friend of the director.

The roughness is not being viewed as a failure by many who have described the handcrafted visuals as refreshing, particularly at a time of AI, which produces slick imagery within seconds. (Agencies)

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